Deffered Reality ; A world.
Production
I am terrified.
Haleema Zubair
Ayaan Ahmed
20th January 2022
Production Day 1
It was not a normal Thursday. The decision with my makeshift team of waterboys and free food loaders was to pick them all up after school at 3 pm . My own school let out at 2 pm. So of course the natural thing to do was go home pack everything ( I wish I had , had the common sense to vlog it because i was a sight). So with equipment, consisting of a camera bag on one shoulder a tripod bag on the other and a huge cleaning basket in my hand which held the costume , the paint , the ink , the oranges ( the list goes on) and of course the fishes in a jar that was previously a nutella jar , I began my journey. With no other way but to use uber , a gut-wrenching journey of approximately 25 minutes unfolded ( let me tell you it was a harrowing journey, it is not easy to uber in Pakistan without the very solid fear of getting kidnapped) to get to my friends. I then waited outside their school ( LACAS ). From there we went on to Valencia ( a housing society ) which was another 20 minutes to get to our designated driver for the day ( Taimoor). Of course since there is no way things can ever go smoothly for me , he got lost in his own housing society and till 5 pm we sat shivering in a local garden with no data and zero understanding of where we were.
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Finally we were on our way to The Factory , missing only one person ( the most important let me tell you , he had the other camera) who was refusing to pick up my call. After 15 thousand calls he finally picked up and I consequently felt like the worst human being on planet Earth. His Uncle got injured in a bomb blast that had happened that day in the Anarkali area of Lahore.
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By this time we had lost the light ( it was 6 pm on a winter day) and we had nothing left to do but get dinner and go home and so that is what we did. Also may i mention I am writing this at 3 am and one of the fishes is dead (RIP nessie)
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MY TEAM
Khudija Munawar
Taimoor Shahid
Farzam Atif
Noor Fatima
Production Day 2
We actually got some work done. Wonder of wonders everyone was available at 12 pm and we hitched a ride with my brother to the factory ( saved on some petrol ah). We finally got to the The Factory which seemed like no small feat. Since we had only visited The Factory only once before we still had some investigation to do for the location.
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After looking around we shot our first scene in the chemical plant. We chose the chemical plant out of all the other areas due to the reason that there was much less commotion and people occupying that area , and it looked fairly daunting which i knew was something that would lift my music video to the next level.
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Through the entire day and through all the production days my overall clothing got progressively worse , from "I'm working" attire to homeless attire the journey was choppy and full of exhaustion. we decided to call it the Media Studies Syndrome. It consists of eyebags , a foul smell that faintly resembles old people and red paint that is present in places where red paint should never be present.
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Back to the day of production, we got through the first 7 shots and made a timeline of shots for the next few days on the availability of others.
The first one was of course the swinging sheet. Which definitely was not as easy as we thought. We obviously could not put Khudija herself in a sheet several feet above the ground that we later planned to cut from any support keeping it up ( we contemplated Khudija's importance and realised we needed to keep her intact at least until the end of my production). So we piled on into the sheet anything and everything we could find ( coats , jackets , extension cords , my bag). We tied the sheet with red thread to adjacent metal frames on the second story of the plant , from there on we had trouble settling the frame and lighting for a while ( Let me be honest and let you know it took me over an hour to shoot the simplest shot in the whole video , so when i tell you the while experience has been a journey from being unlearned to learned in the mechanics of videography, it is true).
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I next shot the decided shot where khudija had to lie on the floor. the push out motion and the pans were something I know i struggled with a lot due to the shakiness that a handheld camera offers. Though , worry not I will be unable to use any of them because something known as blacklight seemed to be enjoying it's position as the thorn in my foot , and rest easy it has it's buddies down there that it is currently high fiving , so it is certainly not alone.
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Shortly after we went on to do an experimental shot of the one in the alley to see the lighting we needed to work with alongside what can or cannot be improved in the work. I did end up getting some nice shots.
To keep my balance of extra shots in case my actual ideas do not work anywhere , i shot an alternative last shot ( because it was becoming more and more unlikely that i will be able to arrange a drone , since it was Farzam who had one in the first place and he was once again not present ). This consisted of a girl in a black outfit dragging her red hand against a wall. Representative of the full transformation from a white pure image to a black one with fully red hands. By using Sven E Carlson's concept of juxtaposition and black and white boxes I believe it would help me bring the video to a full circle in a similar manner to the shot i actually decided.
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If you must know shortly after we left The Factory things took a turn for the worse. Effectively ensuring that mentally and physically i was not left unscathed in this experience ( read : death trap). Of course looking like rudolph the deer with red hands instead of a red nose was not enough my friends decided I had to get a public shaming for my homeless role in an extremely weird indie movie called my life. So we ended up at Mcdonalds. Of course , i did not volunteer to stay in the restaurant after placing my order , I mean fulfilling any shaming kinks was not meant to be done in a Mcdonalds those were preserved for special places namely no where on Earth.
So I with my very red hands and extremely exhausted eyes stuffed myself in the passenger seat of the car sitting next to our designated driver ( Taimoor). Like I said , the universe had decided I was not be left untraumatized from my experience in my media work ,so of course, that is when our dear Pakistani Police decided to show up.
If you feel scandalised with what happened next let me ensure you dear reader you are in no way alone. Our country's very patriotic and of course extremely qualified officials decided that I , a 12 year old looking chubby red handed girl ( QUITE LITERALLY) was doing something that deserved to be shamed in the car. ( I will let you take a guess , and if it needed clarification I was not). So of course for the next 2 hours of my life my tears were uncontrollable as our esteemed supposed saviours decided physically assaulting an 18 year old boy was something that suited their position. with shaking hands i called my cousin ( Haleema) who made her way out of the restaurant with everyone else running on foot only to be also verbally abused by the officials. It all ended with them asking for some petty cash and then leaving. Also leaving all of us effectively traumatised for the rest of our lives. On a serious note, this was an extremely difficult day and I do believe I will not be forgetting it anytime soon
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Production Day 3
Thankfully this day was less eventful. Lately my life had started feeling much like the career I was chasing with this subject ; a whole film with the strangest events. Except it seemed like I was the one in front of the camera instead of behind it , and trust me I was starting to realise neither of those were less painful than the other.
On to the actual events of the day; it started off with me waking everyone up at 6 am ( I realised it was the only way we were going to get any work done what with everyone having curfews and the winter days ruining any chance of light I needed). Haleema came over to my house and we decided to get to The factory with the first person who gets there every day ( My dad). We then went to Johar Town to get all of my team and oh a miracle today everyone was going to show up ( except taimoor as he wasn't needed). The car ride itself was one of the awkwardest things I have ever experienced. Farzam our friendly neighbourhood giant towered over my dad at his 6'4 height compared to my dad who looked like his little brother sitting next to him in the driver seat at his average height of 5'7. We all had a good laugh about that. ( a strangled one though , the air felt like actual concrete with the amount of awkwardness piled into the car)
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The first course of action was reshooting the pan and push out shots for when Khudija is lying on the floor. This time to avoid the black light we used Noor's Iphone 12 and a gimbal. Then we shot what i believe was the hardest scene to shoot in all of the production; the mirror breaking scene. With lack of volunteers I had to be the one to make my hands red and i mean REALLY red. With that said it was farzam who shot this scene and it actually proved to be very difficult to shoot because of constant reflection in the mirror itself , or the lighting being grossly overexposed.
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Then we re-shot the scene in the alley due to footage from yesterday being slightly overexposed at inspection. With Frazam's help I found the right balance of ISO and Shutterspeed to get a good outlook for the scene and we shot some extra shots here with different angles that were not planned in case my actual planned shots failed me.
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Of course by this time it had started raining , and the mood was already dreary so we shot the scene where red hands come from the background and grab khudija to drag her backwards. At this point it was 3 pm and everyone decided it was time to leave mostly because Farzam and Khudija had to get back home due to some emergencies and since I was everyone's ride back home so I had to leave as well (not to mention the fact that I could not really shoot anything without Khudija).
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Production Day 4
Finally the 4th day and a Sunday. A day no one could deny coming on because they were not free. So once again as the sun rose for the day and my eyelashes stayed glued together in protest against waking up that early my mind sent out the memo " the torture ends today WAKE UP" . Begrudgingly I drag myself out of the bed , and once again showcase the best way to look homeless with my absolute disregard to my dressing and hair. I then pile my equipment into Haleema's car and go to Khudija's house where we also meet Noor. From there on Farzam picks us up ( yes he showed up) and we stuff ourselves in his car till halfway where we rendezvous with Taimoor and half of us in our effort to breathe without bumping into another being in Farzam's car happily take ourselves off into Taimoor's car.
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The first course of action when we got to The Factory was to go ahead and shoot the orange olling scene. Up to the part where where Khudija bites into the orange it was easy. Then, GOD OH GOD , the ABSOLUTE MISERABLE TIME we all had trying to roll the orange away. I had primarily thought i could take this as a one shot or an invisible cut as i had planned but NO. it took us TWENTY THREE TRIES to get the orange rolling the correct way. T W E N T Y T H R E E. viewing the actual footage later made me curse everyone there to the skies and above. how HARD is it to roll an orange. Apparently very!
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Moving on we shot the next few shots namely , the pulley shot , which was easy to pull off it was a still shot, and then the walking around the machinery area shot.
We then moved on to try to shoot the scene where khudija is running and we follow her feet but it just did not come out how I Expected so we decided to ditch that plan and to use a shot i had previously taken of her running in the alley. Of course though , the entire duration of these shots Farzam complained like a 5 year old child ( who asks ' are we done yet' 20 times in 20 minutes??). As an extra shot if , the running in alley shot did not cover it i decided to shoot this particular scene I had scene once in the music video. Of multiple hands coming grabbing a person's clothes and pulling in different directions. It was a bit expected and cliche but i did think if I could pull it off it would make a lot of difference in the video. I do wish i had though it before though it would have resulted in a great visual.
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The final shot was of Khudija beating the glass wall. While this was not particularly hard as a shot it seemed like actual hell. By this time everyone was starving cranky and ready to hit someone. Of course when Taimoor gets this way instead of being annoyed he becomes annoying by turning into an over excited puppy. ( yes it did get on my nerves ). Since my hands were completely red I had to cede my camera over to Farzam for this shot as well ( the shot where I pulled Khudija back into darkness was shot by him as well as the one where I dragged my hands over the mirror.
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Luckily or unluckily? Both Haleema and I had our hands red and Gmuyuckck they looked disgusting but atleast I was not alone. All of that being said Taimoor refused let us sit in his Dad's car ( it was police patrol car) because of our hands and we had to sit at the back of his pickup ( Not going to lie though , was so fun, but also I did look an extremely homeless 8 year old).
All of that being said we ended up ended up in one of the most prestigious areas for dining in Lahore , for no other reason than HURRA IT HAS ENDED ( not for me I have to shoot the tulips). Ofcourse I had zero cash on me and all of the money I had was in my card and OF COURSE. they refused to accept that. So in my very homeless and very embarrassed form I turned to a table next to us. Offered to transfer them money from my bank account if they could pay for us. ( yep ,edisa studies officially ended the very little self respect that I had left)
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Production Day 5
This day came on Tuesday , after 4 constant days of shooting 6-8 am to 7-8 pm and then getting home by 10 , exhausted wasn't even a word that could come close to describing my being. So a break that lasted a whole day was something necessary. The d for this time around involved only me as a producer , director and the cameraman ( I make a very successful drowning one man army ). ​
The first thing on the agenda was getting my performance shoot done with Taimoor , he was supposed to come at 9 am and we were supposed to get done by 11 am. BUT- you guessed it the dua qismat struck- Taimoor decided sleeping in a room in his house that no one goes into ever was a good idea ( with a phone that was not charged). So of course he wouldn't pick up his phone, and when I called his sister she said he had already left on the basis of his room being empty. Except it was 12 am and I had had no contact with him , OBVIOUSLY the next step for me was to assume he had been kidnapped and killed in some obscure corner in Lahore ( not so far fetched when you live in Lahore).
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Fast Forward to 2 pm , after a lot of tears and and panicked calls to everyone of his family members who assumed the same , emerges Taimoor with ruffled hair to an onslaught of what could be easily be considered as child abuse by Amnesty International ( we call it culture here ). Moving on to the point he made it here around 4 pm and we went to a Plaza under construction near my house where we shot in an empty room.
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After getting done with surprisingly in an hour , I moved on to round two for the day. I set up the tulips and the mirror and ink. At this point both the fishes had died so I had to go buy a new one. I asked Haleema to come over for some help and out of all my production passages I have to say this was the smoothest not to say the fish didn't suffer a lot. We lucked out with the mirror and the ink and because both our ideas match so much all the time I had so much fun filming this. I kept the ISO extremely low and , alongside an average shutter speed which was also on the lower side ranging from 40 to 50 per second. Since the shots very relatively closer , most being extreme close ups or close ups I had to ensure there was a very vivid focus ranging from shallow to deep in different shots. I loved the outcome a lot aside from my hands shaking like a local druggie ( I'm not I promise i'm just underweight). I do have to mention that neither of us got any behind the scene footage because of the lack of a crew / hungry bottom feeders I call friends, but I do have some bloopers that will fulfill that requirement.
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